Mary Lambert talked to Autostraddle about vulnerability, the impossibility of separating the art from the artist, and her incredible new book of poems.
In 2014, after learning how to care for a person on the edge between life and death, I went on the bike ride that would, ultimately, return me to myself.
The new Netflix reboot of Shirley Jackson’s classic has made a lot of changes; one thing that’s stayed, though, is kickass horror lesbian Theo — now with a whole backstory…
Mel, a graduate student in women’s studies, is the kind of misandrist, angry, radical, combat-boot wearing, feminist lesbian your mother warned you about.