Today is the day, folks — the day 90s sad girl icon and triple Virgo Fiona Apple is releasing her first album since 2012 with Fetch the Bolt Cutters. Originally slated for a later release date, Fiona actually moved the album’s release up to April 17 after she finished recording in March, giving us all something to look forward to (??). Here it is, for those of us who didn’t listen last night:
Where to begin, really, with this emotional juggernaut during one of the most emotionally intense periods of our collective lives? Although it feels like 10,000 years ago, this profile in The New Yorker actually came out mere weeks ago, and sets a bit of the tone for what surrounded this album. It is apt, as many have now noted, that this work comes out of a lifestyle on Apple’s part that is perhaps not unlike the one we have now all adopted: she lives in near total seclusion with her seeming platonic life partner, Zelda, and their Bernese Mountain Dog, whom Zelda cooks fresh tilapia for. She tries to deal with her complex trauma and has ongoing complicated emotional entanglements with her ex(es). There’s also this portion, which was in part the inspiration for this article:
More recently, Apple has become close with a few younger artists. The twenty-one-year-old singer Mikaela Straus, a.k.a. King Princess, who recently recorded a cover of Apple’s song “I Know,” called her “family” and “a fucking legend.” Straus said, “You never hear a Fiona Apple line and say, ‘That’s cheesy.’ ” The twenty-seven-year-old actress Cara Delevingne is another friend; she visited Apple’s home to record harmonies on the song “Fetch the Bolt Cutters.” (She’s the one making that kooky “meow.”)
But Apple has more complicated dynamics with a wider circle of friends, exes, and collaborators. Starting with her first heartbreak, at sixteen, she has repeatedly found herself in love triangles, sometimes as the secret partner, sometimes as the deceived one. As we talked, she stumbled on a precursor for this pattern: “Maybe it’s because my mother was the other woman?”
Does that read as, uh, a little gay of center to y’all? Not to toot my own horn but I’ve been doing this for a while now and I can spot a sudden departure from gendered pronouns a mile away!
How are you spending this day? How did you spend last night? Are you a newcomer to the Fiona party and would like a welcome? Fantastic news for you! This is a great time to join the club — she’s sad white girl music, yes, but also ecstatic, wry, optimistic, measured, angry, weird, generous. One way in is to consider this post I wrote when we were all in uh, a place, or to sit with this playlist Drew made that is all those songs in reverse to bring you from despair to peace, perhaps more appropriate and helpful now that we’re all also in a different, worse place! If you’re not really feeling Fiona but want to be able to participate in the Vibe (TM), this playlist from Laneia I used to listen to while I made breakfast every day after I got divorced is gonna be great for you.
What are you taking away from Fiona Day? What are your takes on each track? We’re not going anywhere! Share them here!
blessed fiona apple day to you my dear friend
and also with you!
“Ladies, ladies, ladies, ladies. Ladies, ladies, ladies, ladies.
Ladies, ladies, ladies, ladies. Ladies, ladies, ladies, ladies.”
– Fiona Apple, 2020
Bless.
Ladies, ladies, ladies, ladies.
“her seeming platonic life partner”
I appreciate your use of the word seeming.
Also this album is perfect and has made me happier than I’ve been in a loooooong time. What! A! Gift!
A! Gift!!!
Gonna have to remind everyone that “A good man in a storm” is also the chosen motto of Dr. Arizona Robbins as featured in her drop-the-mic conversion speech to Callie Torres’s father. I haven’t seen much Grey’s Anatomy, but I choose to believe this is a dog whistle and I hear it.
Currently halfway through first listen. Will report more soon!
Okay so far “Ladies” and “Heavy Balloon” are my favs
extra grateful for Autostraddle today because I DIDN’T KNOW the album was due out today and I’m so fucking thrilled
also, the “Emotionally Intense ’90s Woman” playlist is epic and I hope somebody moves that over to spotify since 8tracks is closing down. that is the definition of my teenage years for sure, and deeply familiar roots stuff. thanks for putting that together!
I felt inspired and put that playlist on Spotify like you said! https://open.spotify.com/playlist/3xkaEOjx0g2bVqr5oesWhx?si=PRJ2U_gQRzG4RAa1kuTedg
omg Rachel!!
Also, how can you reference Gillian Anderson and NOT be queer whistling.
Everyone make sure to read this other new interview she did! I laughed, I cried, I wanted to give her the biggest hug: https://www.vulture.com/2020/04/fiona-apple-fetch-the-bolt-cutters.html
Really a masterpiece! A whole buffet of feelings! So good!
fiona apple owns my soul now i think this album killed me it was so good
i listened to the album on youtube and now my youtube recommendations keep telling me to listen to the whole album again and there’s only so many times i can experience the full spectrum of human emotions all at once. have mercy on my fragile heart
SAME
I’m only 1/2 way through the album so far and I’m already prepared to riot in the streets to make sure she is nominated for a grammy. This album is FIRE. Also, definitely gay of center, YES.
Have been imagining plots of mediocre but gay Netflix original movies for each track in my head all weekend.
The movies would be mediocre but the soundtrack would be amazing to be clear
The masterpiece has been on repeat in my apartment all weekend, Fiona has broken me down and built me back up. I wish we still did angsty song lyric away messages because the! lyrics! are! powerful!